Introduction | Subject 2 | ODESSA I
Introduction | Subject 2 | ODESSA I
Study on Counterpoint and Energy
From: Tchaikovsky Symphony no. 6. mov. i, mm. 170–185, to study how counterpoint and orchestration are used as a way to enhance energy.
Example A is the orchestration of just the string section, playing the thematic and motivic counterpoint
Example B is the orchestration of just the woodwinds and brass sections
Example C is the original tutti scored by Tchaikovsky
ODESSA
ODESSA I — Montreal
1. Perception of Violin Section
2. Counterpoint and Energy
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